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Frequent, contained public releases also work to their advantage. “I know for a lot of projects, they want to [do a] ‘we’ll release it when it’s done’ kind of thing,” said Mort. “We’ve found that releasing content builds hype, it gives players what they want, and perhaps most importantly, it serves as a proof of life and a fantastic recruitment tool.”

Stacey Tang, theBrit awards chair, said the move to the Co-op Live arena was about recognising the geographical diversity of the country’s music talent. “Creativity doesn’t happen in one postcode in the UK … so the idea that the biggest night in music should always be in London, I think, is ageing out,” she said.

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